TEI-XML-File: https://p612399.webspaceconfig.de/xml/elephantine_erc_db_100261.tei.xml
Collection | Berlin, Ägyptisches Museum und Papyrussammlung, Staatliche Museen zu Berlin, SPK (P) |
Inventory Number | Pap. Berlin P. 13585 |
Current Location | magazine |
Comments on Inventory | registered as existing during revision (1958) |
Publication Permission Status | (unknown) |
Publication Status | published |
Ancient Provenance Site | Elephantine (Ꜣbw; Yb; YbꜢ; YbꜤ; Ἐλεφαντίνη, יב , ⲉⲓⲏⲃ) [Trismegistos] Certainty: high |
Ancient Provenance District | Upper Egypt, 1st nome (Ombites) [Trismegistos] |
Type of Discovery | archaeological excavation Certainty: high |
Finder (= First Purchaser) | Rubensohn, Otto (excavation director) Certainty: high |
Location of Find / Purchase in Egypt | Elephantine |
District of Find / Purchase in Egypt | Upper Egypt, 1st nome (Ombites) [Trismegistos] |
Type of Acquisition for the Intitution | partage |
Date of Acquisition for the Intitution | between 1906 and 1907 |
Transferor (Seller, Previous Owner) | (not relevant) Certainty: high |
Object Type | papyrus |
Color | papyrus, light |
Size (Height | Width | Thickness) | 278 mm | 48 mm | mm |
Range of Preservation | complete |
State of Preservation | The uppper part is broken off in undetermined but doubtless only small extent. Two rectangular holes on the right and the left of the upper section. |
Mounting | framed under glass |
Comments on Object | The papyrus is still mounted on paper (06/2016). |
Localization of Text on Object | recto | |
Script-Fiber-Relation (for Payri) | parallel (recto) | |
Inks and Pigments | carbon ink monochrome black | |
Range of Preservation (Text) | incomplete | |
State of Preservation (Text) | On top broken off in undetermined extent, presumably few lines lost only. | |
Script, Primary | Middle Demotic | |
Language, Primary | Ptolemaic Demotic | |
Comments on Handwriting | "Geübte, sorgfältige und gut lesbare mitteldemotische Geschäftsschrift." (According to K.-T. Zauzich, in: VOHD XIX,2). Slightly oblique to the upper left. | |
Comments on Text Layout | Wide line pitch. The right-aligned text covers nearly the entire sheet, with a small and equal right and an unequal left margin. At the bottom a larger space remains uninscribed. | |
recto | verso | |
Quantity of Lines | x+24 | 0 |
Quantity of Columns | 1 | 1 |
Line Lenght (in mm) | 44 | |
Column Height (in mm) | 25 | |
Height of Line / Letter | ||
Line Distance | 44 x x+25 | 0 |
Modern Title | letter concerning quarrels between Chnoum priests |
Ancient Archives | Chnoum temple archives | administrative archive |
Ancient Scribe(s) of Text | |
Text Types |
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Summary of Content | Letter of Teonurisephonychos, son of Imouthes, containing an answer on a letter received earlier. This correspondence focuses on a dispute between Chnoum priests. The sender expresses his wish for information on his opponent through the lesonis, who is presumably the addressee. |
Location of Composition | Schutb / Shas-hotep Upper Egypt, 13th nome Egypt (Certainty: medium) |
Multilingualism | Monolingual Script = Language |
Gender | Man |
Religion | Polytheism (Egyptian) |
Transcription | Translation | Pictures | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1 Den Brinker / Muhs / Vleeming, DBL (2005), 53, also concerning the abouve mentioned readings Pꜣ-ḏı͗-Tfn.t und Pꜣ-ḏı͗-tpı͗(?). |
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Places (read out from edition) |
ID | gender | en normiert | original | Language | Functions | in Texts |
1670 | man | Peteesis, son of Petemous | PꜢ-ḏỉ-Ꜣs.t sꜢ PꜢ-ḏỉ-mḥ(y.t) | pre-Coptic Egyptian |
RulerID | Regnal Year | MonthID | Day Date of the Text | Gregorian Date | dating_comment |
Ptolemaic Dynasty (early) | 09 | Payni | 04 | -332 August 1 BCE -222 July 27 BCE | Dating by palaeography.; |
DatasetID | 100261 |
last Change | 29.07.2022 |
Trismegistos | 46449 |
Author | Jan Moje |
Dataset License | Creative Commons: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA) |
Data set citation | Data set 100261 (= Pap. Berlin P. 13585), ERC-Project ELEPHANTINE: Jan Moje. |